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　　WhethertheyareofAbuDhabi,California,EgyptorEmilia,alloftheimagesheproducesarelitwithaconstantphysicallightandsentiment;elementsthatthisphotographerseemstoalwayshavewithhimthewayhedoeswithhiscamerabag,andthroughwhichallhewantstodoisobservetheworld.Ifindsuchanaesthetictobemorethatofapainterthanaphotographersomehow.Betteryet,thatofapost-documentaryorneo-pictorialistphotographer,whoexperiencesandconceiveshisworktobetheexprssivegestureofanartistforwhomthesubjectisabovealltheopportunityforatremendousbutconstantvariationinhisviewoftheworld.

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　　Michael Kenna was born in England in 1953 but

has been living in the United States for thirty years. Of the many

showings of his works that have been held in public venues and

private galleries, mention should be made particularly of those in

museums in France, Japan and the United States, the latest being in

the French National Library, Paris, in 2009. Sandro Parmiggiani is

an art historian and art critic. He is also the curator of hundreds

of exhibitions in Italy and abroad.

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书籍介绍

A beautifully designed monograph surveying the works of the highly acclaimed contemporary photographer. Kenna’s photographs captivate viewers through their silent drama and magnetism: rather than being accurate descriptions of a place, the photographer seems interested in capturing the invisible lines which enclose space, and in so doing arousing a viewer’s imagination and reverie. This catalog showcases 290 black-and-white photographs: 200 trace the artist’s career, from early 1970s images shot in England, to the photographs of the following three decades, which result from travels and commissions in every continent throughout the world; 35 record Venice’s everlasting appeal; 20 reflect one of Kenna’s most important jobs, that of recording the Nazi concentration and extermination camps.